REAL WIZ KIDS
Stage Central’s latest Yuletide offering ‘The Wiz’ was- as I’ve come to expect from this production team- a real hit on it’s opening night, last Wednesday at St John Fisher’s, thoroughly deserving the full capacity audience it enjoyed across two evening performances. I was glad to have seen both and to see the young cast literally grow in confidence overnight!
The familiar and much loved story, based of course on The Wizard of Oz was certainly an ambitious project, opening as it did with a beautiful rendition by Holly Edmunds, of Eva Cassidy’s moving version of the classic ‘Somewhere over the rainbow’, which set the tone perfectly.
Though the story-line adhered to the traditional plot we all know and love, the production team gave it a thoroughly modern overhaul and energy in using a variety of musical styles and numbers, moving from the blues of ‘Ease on down the road’ through to traditional ballads and on to contemporary dance, allowing for a variety of choreography routines.
This not only makes the performance all the more enjoyable but the diversity really stretches the skills and talents of the young cast, who cannot fail to develop in confidence as a result.
The multi-functional but simple set gave a suitably dreamy quality and was used well and with ease to create different scenes and settings, complemented perfectly by a multitude of lighting effects (Michael Walker).
The leads- Dorothy (Sophie J Jackson, Ashley Kate Ayres), the Tin man (Leif Anderson), the Scarecrow (Joseph Moore) and the Lion (Liam Mumford, Jessica Barnard) were all strong, playing their parts with the innocence and charm that is central to the characters and crucial to the success of the story. They coped equally well with what at times can be somewhat technically difficult solo songs. Joseph Moore’s exuberant lion, who roared his solo ‘Mean ole lion’ with real flair and humour, was a real hit, as was Jessica Barnard’s in the subsequent evening’s performance.
Others who really shone included Elisha Ainsley as the wonderfully flamboyantly evil Wicked Witch, who gave a brilliant and much enjoyed performance of her solo ‘no bad news’.
As usual, the company ensemble set pieces were always most pleasing, particular highlights for me being the flying monkeys spooky routine and the tornado sequence.
The real successes though, for me, are always the highly stylised, choreographed and costumed group performances such as the delightful Munchkins (‘He’s the Wiz’), the Kalidahs, the hypnotic Poppies, the Winkies and the Yellow Bricks, who all personify the land of Oz so well with it’s forest, emerald city and yellow brick road.
It is here where this production team really come into their own in creating interesting and unexpected versions of well-loved but much seen classics.
Stage central never shy away from the challenge of ambitious projects like this and excel in taking the less-expected but more difficult route of combining traditional story telling with somewhat more experimental dance and music styles. Because of this, the cast and crew believe they can do anything. Well, they can and they do, and like the Tin Man, the Lion and the Scarecrow, they do it with new-found intellect, courage and heart.
SARAH TEECE